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Welcome to Atelier Colour Distillery in Krakow. All my stained glass panels, windows, lamps and other objects are made in traditional techniques with antique glass and lead came. I look for inspiration in sources as diverse as the American Prairie style, the European “fin de siècle”, medieval cathedrals and urban landscape around me. I am also happy to discuss any ideas you have for stained glass so commissions will meet your specific requirements. Please use the contact form to get in touch.

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Raven #9…

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The ninth stained glass panel from “Ravens” collection contains this time some architectural elements inspired by Krakow’s historical monuments: the Gothic arcades and a Renaissance window. The “grisaille” is laid by scratching a homogeneous layer of enamels. And like the preceding Raven (see previous post), this panel is also back-illuminated with a LED ribbon.

Stages of painting :

LED ribbon integrated the frame :

Final result :

“Autumn in Krakow with Raven #2” – ready…

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I have just finished the second “Raven” :

In the case of “Raven #2” I followed the same composition of dark blue frame with the landscape inside (check here the Raven #1). The main difference lies in the way the urban city line is drawn. I replaced here the usual painting on glass with a thin pencil by “scratching” method. First the whole surface of the glass element is covered by the enamel layer and then all transparent areas are taken off with a steel blade. Do you like it ? Thanks for your comments…

“Autumn in Krakow with Raven” – next episode…

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My first crow flew to London through my shop on ETSY, so it is time now for another stained glass panel in this series. The composition with dark window frame did not change, but the panorama of the city will be a bit more distinct and detailed. And the bird will be also different, more dynamic …

The composition goes to the kiln several times during the creation process. Each color and each form painted on glass is in fact a thin layer of powder that can be removed accidentally with finger or brush, so every layer must be solidified in the kiln in 700 degrees Celsius before the next layer / shape / colour …